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Watch The Ward John Carpenter's Online Free Megavideo

The master of horror director John Carpenter returned to feature films after a decade break with the horror thriller The competent but commonplace Ward

It was rather disappointing because it is too late to see a decline in some of the horror master filmmakers in the 1970s. Wes Craven, George A. Romero and John Carpenter were three kinds of the most influential directors of the 1970s and 1980s with films like The Last House on the Left, Halloween, The Hills Have Eyes, Dawn of the Dead and A Nightmare on Elm Street, coming out at that time. These guys are legends to life, so it is sad to see that work is not only smaller than their talents, but never mind their names do not even deserve to be involved.

Horror legend John Carpenter made a great film since 1980

Although Wes Craven's Scream 4 was an excellent return to form by the director, his pet project, my Seoul for the implementation of the first film he wrote fifteen years, and the project, has spent more than three years of his life, a tragic fire, easily one of the worst films of 2010. Romero, who sputtered away into oblivion after the dark half of 1993, returned in recent years, three other films Dead, each one worse than the previous. His latest, Survival of the Dead, was so deadly boring that even the zombies have been interesting at this time.

And then there's John Carpenter, who made classics like Halloween, Assault on Precinct 13, the fog and the Thing (later changed to remake all the poor, not only the same thing that Carpenter's 1950 film re-edited the less). But at the end of 1980, his films also began to dismantle the quality, and the only film that has done more worthy of the last twenty years, 'Mouth of Madness has been underestimated. Before we forget Ghosts of Mars, Memoirs of Invisible Man, and an unusually rigid in his remake of Village of the Damned, the better. When Ghosts of Mars, was released in 2001, Carpenter took a break, and after seven or eight years, it seemed unlikely, the most important man ever to return to the function of director's chair film.The Ward is better than its films last year, but it lacks the carpenter John Touches

Ten years later, finally has a new movie, and there's good news and bad news. The good news is that Carpenter really lost his touch, and all its flaws and problems, and Ward is his best film since the Mouth of Madness, and is certainly much better than the above disaster, Take my soul and Survival of the Dead. The bad news is that the film is very nice, and out of mind, and, finally, lacked any detectable John Carpenter's signature touches. Any competent horror film would be able to make this film. All actors in the production of music is fine, but it is almost too smooth for the good alone.

Amber Heard directs a cast of new faces as Kristen, a young woman sentenced to an indeterminate time in a psychiatric facility in Oregon, to the 1966th She makes friends with four others at the clinic, but soon discovers all disappear without a trace. Kristen tells a former prisoner ghost wanders the corridors, and could be the one to blame for the disappearances.

Filled with solid performance and great fear, and Ward is a competent horror

The area is fun while it lasts, at least half a dozen shocks, torsion and an end, but a bit ridiculous, it is legitimate to wonder. The performances are all solid, especially by Amber Heard, who seems to be one of the busiest young actresses in Hollywood today. Mamie Gummer, Meryl Streep's daughter gets her juicy role in a film here again, but unfortunately it does not leave much of an impression. The other three actresses, Danielle Panabaker, Laura Leigh, and Lyndsy Fonseca by-side under-written roles.

It is simply not enough excitement or originality in the area to recommend one to see it in theaters. If you are a fan of horror, and a fan of Carpenter, however, do not worry, it's not a big disappointment, it could have been. Always, however, since the main man took a break of one year, it seems appropriate to have foreseen something extraordinary, not just competent.

Watch The Ward Online

Tight as a drum and lots of fun, the first film by John Carpenter in nine years is hardly a pioneer, but when the performance is such an expert, why complain? Consciously old in its approach, The Ward offers carefully exactly what one might imagine from a horror movie, about five pretty young women in a mental institution tries to survive a murderous ghoul who haunts the hallways.

Tight as a drum and lots of fun, the first film by John Carpenter in nine years is hardly a pioneer, but when the performance is such an expert, why complain? Consciously old in its approach, The Ward offers carefully exactly what one might imagine from a horror movie, about five pretty young women in a mental institution tries to survive a murderous ghoul who haunts the hallways.

Premiere in the Midnight Madness section of the Toronto Film Festival, The product sells best Ward is the director who made it. Carpenter's name is well known among horror fans older, but because this new film is only his third over the past 12 years, there may be some concern about how it is popular with younger crowd, making a successful franchise Saw. Despite good reviews and positive word of mouth, the network The Ward a modest commercial bonanza, probably in adjacent markets.

Oregon, in 1966, a young woman named Kristen (Amber Heard) is taken to a psychiatric department after police catch her to a burning house. Once the institution, she meets four other women, she will live with (Mamie Gummer, Danielle Panabaker, Lyndsy Fonseca and Laura-Leigh). But the misery of being locked Kristen in the Nuthouse pale in comparison with almost a greater danger: a hideous ghost starts appearing out of nowhere, the intention of killing the patients one by one.

Working from a screenplay by Michael Rasmussen and Shawn Carpenter made a horror film that feels no frills defiantly out of step with modern genre conventions. Instead of the classical composer-inspired metal shock Soundtrack Mark Kilian choose a roar, Moody score complete with disturbing lullabies angelic, reminiscent of a similar technique Baby Rosemary.

Yes hermostunut Eika, kiiltävä, Grand Guignolet näyttää useimpien kidutus-porn, yes Carpenter kuvaaja Yaron Orbach valinnut hillitty, Etta synkkä esteettinen korostetaan hahmojen klaustrofobia joutumatta vankeuteen toimielimessä Tassa. Vaikka Ward at the end of osuus shokki leikkaukset rytmittävät ääneen musikaali vihjeet mita erottuu Noin on elokuva, Kuinka paljon end uhka Tule yksinkertainen, tehokas liikkeitä device, jotka parantavat jännitystä askelin.

While the scenario is hardly a model of ingenuity or probing psychological insight, it does the job of establishing Christianity as a smart, resourceful, nervous young woman who will not let this mysterious ghoul take without a fight. (. Not surprisingly, other patients of Christian characters are stock, giving the killer to kill victim smooth compact film running time) Like many attractive young actresses, have heard of trouble finding roles that can make some real emoting - it has cult horror film, All the Boys Love Mandy Lane on his resume - but as a Christian, it really command the screen, playing a woman in a credible manner that is distorted enough edged to deceive both the institution of the guards and deadly ghost.

Because the identity of the vampire is a mystery in most districts, the public derives some of its fun trying to guess how the filmmakers reveal the big surprise that this force of evil. For anyone indifferent to the dependence of most modern horror "shocking" the turns of the third act is a relief that seems to trick Carpenter narrative to focus on ratcheting suspense than other patients Kristen is killed and she tries to reach the intentions of the vampire. This leads to a sequence of very exciting race, as many of the rest of the film is as moving as it is with confidence that effort. Finally, Carpenter actually turn reveal their story is great, but even in this case shows that the teacher is less than the sample this is the skill with which it presents, which is a considerable amount on the screen.

Watch The Ward

The John Carpenter's current reputation as a spent force is undeserved, but if not done much more recently than the socks off anyone left. This is a step in the right direction of a return to full form. Amber Heard plays an amnesiac young people in a mental institution to try to understand why a ghostly apparition / zombie thing is brutally murdered his other patients. Unfortunately, the public is way ahead of it - we've seen many times before. The result is visible from a distance of a penalty if you remember how the peak expert carpenter unleashed powerful Cosa et al. However, it is a well made film, with some hits and a finely crafted pace that seems almost regal in horror these days of quick cuts.

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